I am a queer, nuyorican sound artist, designer and composer based in the Bronx, New York. As a member of the Theatrical Sound Designers and Composers Association (TSDCA) and USA 829, I am a highly trained and experienced professional with experience working on musicals, straight plays, experimental work, installations, and movement pieces. My design practice utilizes synthesizers, samples, recordings, digital instruments, and sound effects to create immersive soundscapes for audiences.
Selected Works:
New York: The Appointment, (Lightning Rod Theater; NYT Critic’s Choice), The Gospel Woman, (National Black Theatre), The Road Back (Chrysalis Theatre Company), Motel Andromeda (Waterwell), House of American Activities (The After-Image), The View (Columbia U. School of the Arts).Regional: Our Town, (Baltimore Center Stage; Baltimore, MD), Urinetown, The Musical (Northern Stage; White River Junction, VT), Our Town, (Dallas Theater Center; Dallas, TX), Beyond the Fourth Wall (WMPAC; Big Sky, MT), Ms. Bennet, Christmas at Pemberley (Playhouse On Park; West Hartford, CT). Fringe: The Ecstasy of Victoria Woodhull (Owl & Pussycat Theatre Company; shown at Hollywood Fringe, 59E59, & Edinburgh Fringe) Virtual: Murder, We Spoke (Tantrum East). Associate Design: Your Own Personal Exegesis, (LCT3, Designer: Stowe Nelson), Good Enemy, (Minetta Lane, Designer: Mikhail Fiksel), Twelfth Night (Chicago Shakespeare Theater, Designer: Lindsay Jones), Hamlet on the Radio (The Old Globe, Designer: Lindsay Jones).
Website: www.ninafield.design